I have updated the gallery with screen captures from the Blu-ray edition of White Bird in a Blizzard–including deleted scenes and further bonus material. Shailene is so fantastic in the role of Kat, and I don’t think she has ever looked more beautiful than she does in this movie. I’ll also be working on adding screen captures from both Divergent and The Fault in Our Stars over the coming week or two.. both have been on my to-do-list for way too long and it’s about time they were added to the site. There are some exciting changes on the way within the next month; new layouts and a revamp of our existing content so be sure to watch out for those.
The theatrical trailer for Insurgent was released a couple of days ago and screen captures have now been added to the gallery. And if you’re one of the few who have yet to see the trailer (I myself am little late here) then be sure to take a look below. Enjoy!
Great news! Shailene has been nominated for a Critics Choice Award in the Best Actress in an Action Movie category for her role in Divergent. The 20th annual awards ceremony will take place on January 15, 2015 at the Hollywood Palladium and will be broadcast live on A&E. For a full rundown of the nominations, click here.
BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Edge of Tomorrow
Scarlett Johansson – Lucy
Jennifer Lawrence – The Hunger Games: Mockingjay Part 1
Zoe Saldana – Guardians of the Galaxy
Shailene Woodley – Divergent
THE HOLLYWOOD REPORTER – Shailene Woodley is in negotiations to play the female lead in Oliver Stone’s untitled Edward Snowden drama.
Woodley would star opposite Joseph Gordon-Levitt, who is tackling the NSA whistleblower in the film, which will be distributed by Open Road in the U.S. The actress, who has become one of the most in-demand among the twentysomething set after a breakout 2014, is poised to play the role of Snowden’s girlfriend.
The Divergent actress has been picky about lining up her next project outside of that futuristic YA franchise (she already shot the sequel Insurgent for Lionsgate and is signed on for two more films based on the Veronica Roth books). After starring in one of the most profitable films of the year, Fox 2000’s The Fault in Our Stars, she has sat on the sidelines waiting for her next move.
The Stone-directed project is based on Luke Harding’s The Snowden Files: The Inside Story of the World’s Most Wanted Man and Time of the Octopus, the upcoming novel from Snowden’s Russian lawyer Anatoly Kucherena.
Harding’s nonfiction book traces Snowden’s move from Hawaii to Hong Kong, where he met with documentary filmmaker Laura Poitras and journalist Glenn Greenwald and handed over top-secret NSA documents. Snowden later flew to Moscow, where he sought asylum. Kucherena’s take on the story is based on the lawyer’s time with Snowden while he waited in limbo at the Moscow airport before the Russian government decided to grant him asylum.
Wild Bunch had been preselling foreign rights to international buyers at the American Film Market last week in Santa Monica.
Stone is producing the untitled film with longtime producing partner Moritz Borman. The project is currently in preproduction in Germany with principal photography set to start in January.
Woodley is repped by Paradigm, Principato-Young and Felker Toczek.
INDIEWIRE – Gregg Araki and Shailene Woodley sat down with Indiewire’s Nigel Smith as part of AOL Build’s interview series to discuss their upcoming film, “White Bird in a Blizzard.” The film, which premiered at the 2014 Sundance Film Festival, stars Woodley as Kat Connors, a 17 year old girl both discovering her sexuality and dealing with the mysterious disappearance of her hauntingly beautiful mother, Eve (Eva Green).
Also starring Christopher Meloni, Shiloh Fernandez, Gabourey Sidibe, Thomas Jane, Dale Dickey, Mark Indelicato, Sheryl Lee and Angela Bassett, “White Bird in a Blizzard” will see a limited released in theaters on October 24.
Nils Larsen, Woodley’s manager, is good friends with Araki.
“It was at the Spirit Awards when Shailene won for ‘Descendants’ that I saw Nils again and [he said] Shailene is looking to do something, she’s been passing on everything, she’s being very particular and wants to follow up ‘Descendants’ with something super special and, you know, do you have anything? And I said I’m working on this book adaptation and Nils was like oh my god, send it and I hadn’t even finished it yet. But I finally finished it, sent it to Shailene and I guess she liked it because there she is.” – Gregg Araki
Woodley supports the film’s emphasis on teenage sexuality.
“I think it’s so refreshing to see a coming-of-age film that actually deals with sex and that has sexuality be a large theme in the film because it’s such a large part of so many adolescents’ lives right? It’s there, we just don’t really talk about and we really don’t talk about it in cinema too often with young people and you look at French films or European films and it’s not a big deal because sexuality is not something that’s sort of taboo over there. It’s more normal, it’s more accepted, it’s just a part of life and it’s part of all of our lives.”
“The image of life being so perfect with the lawn [in the film] and yet being so completely broken inside and projecting an image to others that isn’t actually the feeling that you exist within yourself I feel like is similar to sexuality in America in a lot of ways, you know, where it’s something that exists and you pretend that it doesn’t in everyday life. I thought it was really. neat. And it was truthful. It wasn’t exploitive or anything.”
But there was one element of sex was totally new for her.
“…I never had to do a sex scene looking into a camera before. That was a little bit interesting.”
Araki enjoyed the challenging of telling a story driven from the female perspective.
“…What it’s like to be a woman, what it’s like to be a young girl coming of age, what it’s like to be a mother and a wife who’s not happy and is sort of playing this role she really doesn’t want to play and the relationships between mothers and daughters…there were so many things going on in this story that I had never, even as a man, even thought about. I think that was something, as a filmmaker, that really, really excited me.”
“Divergent” pushed Woodley the most out of her comfort zone.
“It was such a big world. You know, there’s green screens and not only were you trying to act, you have to remember fight choreography and the timing of a bomb that’s going off in the corner and like make sure you don’t get hit but still be an actor. So that was probably the most challenging just in the sense that are so many elements that I had never worked with before.”
Araki loves the church of old-school cinema, but understands the wants of the generation.
“Now with VOD and Amazon and iTunes and everything, it’s incredibly cool to me that some kid in Alaska can read a tweet about ‘White Bird’ and push a button and watch it right now. The instantaneousness of that and the accessibility of that, is, as a filmmaker, super exciting.”